Reading & Writing

This is a good old-fashioned links page.

In early-2000s internet, instead of 3 or 4 major social media hubs we had web pages–thousands of them. And there was mystery around every corner. Consumption was more active, and you would choose to look at things, rather than have it chosen for you by a tailored algorithm. If you had a feed, it was an RSS feed that you curated yourself from different web pages. In the good old days you’d seek out the reading you wanted to do.

This is a page of various links to readings I think are really good. Perhaps you’ll find them stimulating too. With the statement “links are not necessarily reflective of my opinion,” I don’t mean to use the disingenuous trick of situating my provocation in some nether-universe, disembodied from responsibility that sits outside reality: my positions on politics, pedagogy, and art will overlap significantly with what you find here. However, you have to talk to a person to begin to really understand their opinions and politics, so with that in mind, if you find something too provocative, talk to me first before going around telling tales out of school.

YouTube videos are considered “reading” for the purposes of this links page.

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About Me

Ali Berkok is a pianist, composer and sound designer. Moving into his third decade as a performing pianist, he has produced six albums as a leader for improvising outfit Arkana Music, and his current quartet, Aurochs. His solo piano album, Never Get Lost for Long, features reinvented jazz standards (“Cheek to Cheek,” Coltrane’s “Giant Steps”) and spontaneous extemporized compositions. Film credits include a new score for Battleship Potemkin, and Advances (Thought4Food). Berkok’s sound design and composition credits for theatre include Carol Shields’ 13 Hands (Alumnae), Marina & The Cryptids (Silent Protagonist), What I Call Her (Crows) and Unsafe (Canadian Stage). Chief amongst his research interests is polytemporality, the simultaneous presence of two or more asynchronous rhythmic layers, for creative effects such as destabilizing listeners’ sense of pulse. Berkok holds a Doctor of Musical Arts degree from the University of Toronto.

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